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DIGITAL COLLECTIONS About the Collection Bookplates, also known as ex libris , are labels pasted to the inside front cover of a book indicating ownership. Although some bookplates are simply text, others, with their ornate images, ornamentation, and calligraphy, are valued examples of design. Artists often employed engraving techniques such as wood cuts and copper or steel plates to create their prints. The Ainslie Hewett Bookplate Collection features 104 bookplates designed by Louisville native (George) Ainslie Hewett between 1909 and 1951. The bookplates were created for notable Louisville residents, as well as for clients across the United States. Ainslie Hewett was especially drawn to the Gothic style, the influence of which can be found in many of his designs.
DIGITAL COLLECTIONS About the Collection John P. Morton and Company was a publishing firm based in Louisville, Kentucky for much of the 19th and the first half of the 20th centuries. John Price Morton (1807-1889) started out working as a clerk in a bookstore in Lexington, Kentucky. In 1825 William W. Worsley hired him to manage his Main Street shop, the Louisville Book Store. The company published a daily newspaper, The Focus , which merged with the Louisville Journal into the Journal and Focus , a precursor to the Courier-Journal ; the weekly Louisville Medical News ; and Home and School , a monthly journal of popular education. In 1838 Morton and Henry A.
Sidney Paget: Iconic illustrator of Sherlock Holmes 2010 marks the 150th anniversary of the birth of Sidney Paget (1860-1908), an illustrator closely associated with creating a visual identity for Arthur Conan Doyle’s character Sherlock Holmes. The lean, elegant Holmes Paget presented to readers of the Strand magazine worked beautifully with Conan Doyle???s text, and formed the basis for the image of Holmes that remains popular in the public mind to this day.
Pictures came before books, printing or writing, and were our first expression of stories. The Canadian artist Marie Day celebrated the power of cave art in her picture book Quennu and the Cave Bear , an imaginative recreation of how a young girl of the Stone Age conquered her fear of a ferocious cave bear by drawing him. The Stone Age makes a fitting start to an exhibition celebrating Canadian picture books, within which there are no boundaries of place or time. In chronological terms, the earliest painting in this exhibit is 42, the latest, only three years old. The earliest artefact shown here is nearly 3,000 years old, and the story of Quennu depicts a period over 20,000 years ago.