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Photography

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The University Archives Photograph Collection contains modern and vintage photographic prints related to the University of Oregon. The photographs depict a variety of buildings, historic scenes, events, students, faculty and staff, and scenes of campus life.

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The Division of Rare and Manuscript Collections , Cornell University Library , is home to the Andrew Dickson White Architectural Photographs Collection of approximately 13,000 nineteenth- and early twentieth-century photographs of architecture, decorative arts and sculpture. White (1832-1918), the first president of Cornell University, established the collection by donating several thousand images from his personal architectural library.

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The Billie Jean Isbell Andean Collection This collection of materials is derived from my years of research in the Andes, primarily in the southern Andean department of Ayacucho and specifically in the village of Chuschi, Peru and the surrounding region of the River Pampas Valley in the province of Cangallo. I began research for an undergraduate honors' thesis in 1967 and the earliest images are from that date and continue through 2002. Included in this collection are approximately 1500 photographs, thirteen songs, my ethnography, To Defend Ourselves: Ecology and Ritual in an Andean Village , as well as selected publications. - Billie Jean Isbell, 2005 Visit Professor Isbell's latest project:

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Introduction At the end of the nineteenth century, the British artist, photographer and traveler Frederick W.W. Howell, F.R.G.S., recorded Icelandic and Faroese landscapes, farmsteads, towns and people in a remarkable series of photographs that depicted Iceland and the Faeroe Islands on the edge of modernity. Daniel Willard Fiske, who bequeathed the Fiske Icelandic Collection to Cornell University, purchased over 400 prints from Howell around the turn of the century. Halldór Hermannsson, the collection’s first curator, mounted the prints around 1923 in six albums and supplied the prints with captions. (A small group of photographs includes the work of Henry A.

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About the Project The Cornell Institute for Resource Information Sciences (IRIS) maintains a large and comprehensive collection of aerial photographs for New York State dating from 1936 through 1995. The archive numbers some 50,000 images that cover 48 counties, many counties of which have at least three years of historic sequence. The photographs are primarily black and white direct contact prints, and in hard copy form they measure from 7” x 9” to 9” x 9” in size; scales vary. Historic aerial photographs are valuable resources for landscape and land use analysis, assessment of environmental impacts, development projects and education.

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Note that Albert Einstein is standing to the left of the President. This group shot was taken by Fred Scut of Washington, DC, one of the most prolific of panoramic photographers. The print size is 38" x 10". Records of the Office of the Secretary of Agriculture (16-ES-485) The description was handwritten on the photograph by Mr. Brooks. It was taken by Thompson Photo of Venice, CA, and measures 46" x 10". Records of the Bureau of Indian Affairs (75-PA-3-7) The photographer and date are unknown. The dimensions of the print are 54" x 10".

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From June through October 1973 and briefly during the spring of 1974, John H. White, a 28-year-old photographer with the Chicago Daily News , worked for the federal government photographing Chicago, especially the city`s African American community. White took his photographs for the Environmental Protection Agency`s (EPA) DOCUMERICA project.

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A note on the photographs in this exhibition Because of the huge number of images held by the National Archives and Records Administration (NARA), selecting photographs for this exhibition involved difficult and subjective choices. For the most part, the exhibit concentrates on developments within American society and on activities abroad where Americans were significant participants. The photographs from the White House Photo Office were included because they will become part of the Clinton Presidential Library, and because they allowed the exhibit to round out its coverage of the late 20th century.

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This collection is part of the Glasgow Digital Library and is maintained by the Centre for Digital Library Research at the University of Strathclyde . The resource was developed as part of the Resources for Learning project funded by the New Opportunities Fund digitisation programme. Further resources and 70,000 objects can be found on the RLS site .

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The Michael L. Carlebach Photography Collection consists primarily of black and white photographic prints taken and personally hand developed by Professor Michael L. Carlebach. In general, the images are thematically grouped around journalistic pieces published in newspapers, or artistic topics such as portraits and landscapes. The collection also includes pieces shown in various exhibits as well as photographs made for special assignments like the George McGovern 1972 presidential campaign and the exclusive insider's look at the Krome Avenue Detention Center for refugees in South Florida. Another highlight of the collection includes photographs dealing with the medical profession, especially children in hospital settings.

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Ralph M. Munroe Family Papers Ralph Middleton "Commodore" Munroe, avid yachtsman, successful businessman, and celebrated patriarch of the Munroe family, made Coconut Grove his home in the late 1800s. Munroe and his family moved to South Florida from Staten Island, New York, to provide a more beneficial environment for his wife, Eva Maelia Hewitt, who suffered from tuberculosis. Unfortunately, both his wife and daughter succumbed to illness and died shortly after their move to Miami. Munroe subsequently split his time between Staten Island and the Grove, often staying at the Peacock family hotel, The Bay View House, later known as the Peacock Inn.

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Richard B. Hoit Photograph Collection Photographer Richard Hoit came to Miami in 1914 when he was 27. Already an experienced movie and aerial photographer, his collection of photographs includes landscape diverse regions, including Massachusetts, Vermont, and Florida in the United States. Hoit traveled extensively in South America in the early nineteen hundreds. The images resulting from these travels are of people and scenery in Bolivia, Columbia, Chile, Ecuador, Mexico and Peru. Finally, the Richard Hoit Collection contains Hoit family photographs that span the period 1834 through 1973. The online collection contains 23 photographs from the larger collection taken in South Florida.

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Charles Deering, son of William and Abbey Reed (Barbour) Deering, was born on July 31, 1852, in South Paris, Maine. His father was the founder of Deering, Miliken & Company, and later of Gammon & Deering, manufacturers of harvesters and the predecessor of the Deering Harvester Company, organized in 1880. This latter company merged with International Harvester Company in 1902.

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Florida Photograph Album Collection Florida's lush scenery and tropical environment provided much visual interest for travelers and settlers at the turn of the twentieth century. The Florida Photograph Album Collection contains photographs of scenic Florida from St. Augustine to Key West, dated primarily from the late 1800s to the 1920s. Some photographs feature Caribbean locations, from the personal collection of individuals and families, including Mark F. Boyd, Florence M. Fran?ois, and Samuel J. and Louis J. Butram.

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    The Florida Photograph Collection A place of magic cities, boom towns, beaches, and lush, tropical landscapes, South Florida appears to reverberate with culture and development from its outset in pictures from the Florida Photograph Collection. Photographs tell visual stories of urban planning, tourism and land cultivation. Unique aspects of Coconut Grove, Miami Beach, Coral Gables, and Miami are distinguishable in images of historic street scenes, exotic foliage, unusual architecture, and yet unsettled panoramas. The past, in all its romance and tragedy, lives on in these lasting images. The photographs identify iconic locations and capture defining moments in the birth and growth of South Florida.

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DIGITAL COLLECTIONS About the Collection Arthur Younger Ford was born in 1861 in Parkville, Missouri and raised in Owensboro, Kentucky. He graduated from Brown University in 1884 and served as the chairman of the University of Louisville Board of Trustees (1914-1921) and first full-time president of the University of Louisville (from 1921 until his death in 1926). Among Ford's accomplishments as president were acquiring Belknap Campus and securing the Louisville City Hospital as a teaching clinic for the Medical Department.

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DIGITAL COLLECTIONS About the Collection In 1903 James Caufield and Frank W. Shook founded the eponymous photography studio in Louisville, Kentucky. Will Bowers later joined the firm as a partner and chief photographer. Few aspects of life in Louisville escaped the lens of Caufield & Shook, whose company motto was "We photograph ANYTHING, day or night." The collection includes work for Louisville architects, builders, banks and financial houses, wholesale and retail merchants, advertisers, government agencies, public utilities, and private individuals. In 1924 Caufield and Shook became the official photographer of the Kentucky Derby. The firm was sold to Richard N. Duncan and Ned Tanselle in 1960 and went out of business in 1978.

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DIGITAL COLLECTIONS About the Collection The Claude C. Matlack Collection documents the formative years of a mountain settlement school in Oneida, Kentucky, and provides a poignant look at life in the Cumberland Mountains of Clay County between 1903 and 1916. The collection also includes pictures taken in the photographer's hometown of Louisville, Kentucky, plus a few scenes from Indiana and Colorado. Claude C. Matlack (1878-1944) was an amateur photographer, working as an engineer for his family's plumbing and lighting business, when he happened to meet a trustee of Oneida Baptist Institute on a train in Eastern Kentucky.

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DIGITAL COLLECTIONS About the Collection The Furnas Family Album (circa 1887 -1910) Collection consists of 365 images, most of which were captured with a 4 x 5 camera. The collection provides a unique, sentimental, and sometimes humorous view into the lives of members and friends of the Furnas family of Louisville, Kentucky, in the early 1900s. In addition to photographs of the family at their home and in rural Marion County, Indiana, it features scenes of Louisville (including local parks, buildings, monuments, and steamboats on the Ohio River) and travels west (to the Louisiana Purchase Exposition in St. Louis, Missouri and as far as Spokane, Washington). Walton Furnas co-owned Furnas & Maddox Photographic and Stereoscopic Supplies in Louisville, Kentucky.

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DIGITAL COLLECTIONS About the Collection This digital collection celebrates the work of photographer Kate Seston Matthews (1870-1956). Born in New Albany, Indiana, Matthews spent most of her life in Pewee Valley, Kentucky, where she began taking photographs in the 1880s. Matthews relied almost exclusively on her own community and acquaintances as subjects -- a favor she returned by reproducing and signing her photographs for friends and family.

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DIGITAL COLLECTIONS About the Collection This digital collection will assemble images relating to Louisville, Kentucky, and environs from various small collections in the University of Louisville Libraries' special collections and archives. The following collections are currently featured in this digital collection, which will be periodically updated with additional images: A. W. (Albert Wheaton) Terhune Collection , ULPA 1987.70 Insurance agent and amateur photographer Albert Wheaton Terhune was born March 12, 1871 in Newark, New Jersey. The oldest of four children, he lost his mother to tuberculosis in 1877, and, in his late teens, contracted the disease and spent a year in a sanatorium in Colorado Springs.

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DIGITAL COLLECTIONS About the Collection Known as The Traipsin' Woman, Jean Thomas (1881-1982) traveled the mountains of eastern Kentucky taking snapshot photographs of the mountain way of life, writing, and promoting mountain folkways. She was particularly interested in the music, crafts, and language patterns of the area. Included in the digital collection are 1,077 photographs of and by Jean Thomas during her travels throughout the eastern Kentucky mountains and the staging of the annual American Folk Song Festival. The images document musical instruments, quilts, baskets, and other crafts, and scenes with community and family groups, and date from Jean's childhood (ca.

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DIGITAL COLLECTIONS About the Collection The Royal Photo Company Collection contains 14,817 photographic negatives from the Royal Photo Company taken between 1937 and 1973 in and around Louisville, Kentucky. Most of the negatives are 8 x 10-inch safety negatives. Also included are approximately 180 photographic prints given to Aaron Chase by the Royal Photo Company. These prints are "before" and "after" images from the 1960s of buildings undergoing exterior renovations by the Louisville Perma Stone Company. Louis Bramson established the Royal Photo View Company in Louisville in 1904, but many of the glass negatives were apparently sold when the company moved to a new second-floor location on West Jefferson Street in 1937.

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DIGITAL COLLECTIONS About Stereographs A stereograph, also known as a stereogram or stereo view, is a double photograph that appears three-dimensional when viewed through a stereoscope. Scientist Charles Wheatstone invented a reflecting stereoscope in 1838 as a laboratory instrument. Some photographers did use this instrument to exhibit photographs, but it was not until the development of the lenticular stereoscope in 1850 by Sir William Brewster that stereographs became popular. They reached their height of popularity between 1870 and 1890 but continued to be created until as late as 1940. The term "stereograph" is said to have originated with Oliver Wendell Holmes who, in addition to being an author, poet, physician, and lecturer, invented a hand stereoscope in 1859.

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Panorama of the City of Toronto, 1857 Rossin House Hotel In 1857, the roof of the hotel provided the ideal vantage point from which Armstrong, Beere & Hime photographed their Toronto. The Rossin House, on the southeast corner of King and York streets, was the tallest building in the newer commercial district of Toronto when it opened that year. It was one of the city’s pre-eminent hotels, with an 1866 guide claiming: “What the Fifth Avenue Hotel is to New York, and the Windsor is to Montreal, so the celebrated Rossin House is to Toronto.” The Rossin House was destroyed by a fire in 1862, and was rebuilt in 1863.

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A digital collection comprised of over 1200 historical photograhs collected and/or taken by T.N. Barnard or Nellie Stockbridge. The images span the years 1894 to 1964, containing images of Northern Idaho (Wallace/Kellogg Area) mines, towns, fires, scenery, and historical sites. To explore the collection by date or location, or to find out more about the collection, use the tabs above. Questions? questions? Contact Devin: dbecker@uidaho.edu (208) 885-7040 In 1964 the University of Idaho Library received a collection of over 200,000 nitrocellulose and glass plate negatives taken by Nellie Stockbridge and her predecessor and founder of the studio, Mr. T.N. Barnard.

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Among the riches of the historical photograph collections of the University of Idaho Library is an oversize portfolio of eighty original Carleton E. Watkins photographs. Long considered lost, these photographs of the interior of the Anaconda Mines in Butte, Montana, were taken in 1890. They show early hard-rock mining techniques, equipment, and men deep underground.

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A digital collection comprised of historical photograhs and documents pertaining to the history of the University of Idaho, selected from several different collections held by the University of Idaho Library Special Collections & Archives. The images and documents span the years 1889 to 1975, documenting campus life at the University. To explore the collection by date or location, or to find out more about the collection, use the tabs above. Questions? questions? Contact Devin: dbecker@uidaho.edu (208) 885-7040 The photographs from this collection come from a variety of individual collections held by the University of Idaho Library's Special Collections & Archives Department.

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A collection of photographs by Robert E. Higgins, a professor of plant science at the University of Idaho from 1946 to 1999. During his lifetime, Professor Higgins’ photographs were accepted in over 70 juried international salons, and he had one-artist exhibitions in Idaho, Washington, and California. To see the photos on flickr, click here.

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