Category: Image, English, Ephemera
About the Denver Public Library's Western History and Genealogy Digital Collections The Digital Collections had their origins in the Photo Digitization Project which was started in the early 1990’s by Augie Mastrogiuseppe, the Library’s Curator of Photographs at the time. The project’s goal was to improve access to the Western History photograph collection and help preserve the original items by creating digital copies. Over the years, the project was funded by grants from organizations including the Boettcher Foundation, the National Endowment for the Humanities, and the Colorado Historic Fund.
Los Angeles Public Library My Library Account Use the new enhanced My Library Account (which offers an ezlogin option) to renew books, check hold status and suspend holds, save searches, save lists and even provide others with an rss feed of your saved lists . You can also use the traditional catalog's account feature, which also allows on-line fine payments. You are here The Electronic Neighborhood The Electronic Neighborhood is a unique one-stop information resource for information on California and regional history topics.
244 posters and ephemera in both b&w and color Cite as: Philippe Zoummeroff Collection of May 1968, Beinecke Rare Book and Manuscript Library, Yale University The Postwar Avant-Garde and the Culture of Protest, 1945 to 1968 and Beyond Thursday, October 1, 2009 - Saturday, December 19, 2009 Share |
These two volumes from the Beinecke's collections were digitized to coincide with The Great Mirror of Folly: Finance, Culture, and the Bubbles of 1720 , a symposium co-sponsored by the Yale School of Management International Center for Finance , held at Yale University in April 2008. The starting point for this conference was an extraordinary volume likely published in 1720, The Great Mirror of Folly (or, in the original Dutch, Het Groote Tafereel der Dwaasheid ). Early versions of this folio were published in Amsterdam within months of the 1720 economic crashes that roiled the stock markets of England, France, and the Dutch Provinces.
The Toronto Public Library (TPL) has long been committed to an active exhibition program for its Local History and Special Collections in the Canada Trust Gallery at the Toronto Reference Library and other Library venues. The virtual version of All Aboard Toronto ? Railways and the Growth of a City , fully re-creates the exhibition on display in our Gallery from August 4 ? October 7, 2001. The exhibition explores Toronto railway history and its impact on the development of the city from the 1850s to the end of the steam era in the mid 20th century. It is illustrated with over a hundred collection items including paintings, drawings, maps, postcards, broadsides and other ephemera.
Introduction The Special Collections at the Toronto Reference Library reveal a wonderful diversity of focus, form, age and content. Together, they form a cultural legacy that began in the late nineteenth century with the opening of Toronto's first public library. They continue to grow through acquisition and donation to ensure that users today and tomorrow have free access to their cultural and literary heritage. From the humble to the exquisite, each item in the collection has been treasured and preserved, and its story maintained by the librarians of the Toronto Public Library. In celebration of the Toronto Reference Library's thirtieth year at 789 Yonge Street, we proudly present a special exhibition from these collected works.
DIGITAL COLLECTIONS About the Collection The Newton Owen Postcard Collection represents nearly a century in the life and travels of an extended Kentucky family. The earliest cards date to the late 19th century, and while the bulk of the collection dates to the period 1900-1940, there are postcards dating to the 1980s as well. It consists of 781 cards, including travel postcards and greeting cards of many different kinds. The Newton Owen Postcard Collection consists of postcards collected by the Bayne, Foell, and Owen families. The Bayne family, consisting of Samuel and Fannie Bayne and their children, Josephine (born 1899), Samuel Junior (born 1901), and Sarah (born 1903).
DIGITAL COLLECTIONS About the Collection The Leonard Brecher Tobacco and Chewing Gum Card Collection contains 154 digital images of baseball cards from the early 20th century. Tobacco, candy, and chewing gum companies printed trade cards or advertising cards to include with their products. Cards in this digital collection come from the American Tobacco Company, American Caramel Company, Colgan Gum Company (of Louisville, Kentucky), John H. Dockman & Sons, and the Standard Caramel Company, and primarily date between 1909 and 1911. Received by the University of Louisville Art Library in 1969 as a donation from Leonard Brecher, the collection contains 356 baseball cards and 86 cards with bird images. Of these, 154 of the baseball cards are included in the digital collection.
DIGITAL COLLECTIONS About the Collection Known as The Traipsin' Woman, Jean Thomas (1881-1982) traveled the mountains of eastern Kentucky taking snapshot photographs of the mountain way of life, writing, and promoting mountain folkways. She was particularly interested in the music, crafts, and language patterns of the area. Included in the digital collection are 1,077 photographs of and by Jean Thomas during her travels throughout the eastern Kentucky mountains and the staging of the annual American Folk Song Festival. The images document musical instruments, quilts, baskets, and other crafts, and scenes with community and family groups, and date from Jean's childhood (ca.
The late James McKegney, Professor of Spanish at the University of Waterloo for more than thirty years, passed away in 1981 and left to his heirs one of the most important research collections pertaining to the independence movement in Mexico, 1789-1828. The research materials, compiled between 1965 and 1980, consist of a bibliographic database of more than 11,000 citations and over 1,150 photocopies of pamphlets listed in the database. This database and the accompanying documents are one of the most important archival sources in the world for the study of the political, social and cultural aspects of the independence movement in Mexico.
The John Johnson Collection About Introduction The John Johnson Collection is the product of a unique partnership between the Bodleian Library and ProQuest to conserve, catalogue and digitise more than 65,000 items drawn from the Bodleian's John Johnson Collection of Printed Ephemera. The project, which has been funded by the Joint Information Systems Committee (JISC) through its Digitisation Programme , broadens access to a wide array of rare or unique archival materials documenting various aspects of everyday life in Britain in the eighteenth, nineteenth and early twentieth centuries.
About About the Collection The John Johnson Collection of Printed Ephemera offers a fresh view of British history through primary, uninterpreted printed documents which, produced for short-term use, have survived by chance. The Collection is strongest in the 18th to early 20th centuries but also contains earlier documents. Physically arranged in some 700 subject headings, it is searchable in myriad ways through detailed cataloguing, selective OCR and digitisation. The John Johnson Collection is one of the Special Collections of the Bodleian Library and it is part of the department of Rare Books and Printed Ephemera .
This exhibition of the ephemera of trade in the British Isles from 1654 to the 1860s draws primarily on the John Johnson Collection of Printed Ephemera in the Bodleian Library. Trade cards and bill headings, in spite their small format, contain a wealth of information both in their textual and iconographic content.
March 2002 The Aspect project was set up to create a digital archive of the ephemera - leaflets, flyers, postcards, newsletters - produced by candidates and political parties for the first Scottish parliamentary election in May 1999. The project is funded by the University of Strathclyde's Directorate of Information Strategy The archive is based on the collection of election ephemera held by the Andersonian Library at the University of Strathclyde, which is acknowledged to be an important and unique record of a key event in Scottish history. The creation of a digital archive will significantly improve the accessibility and usability of the information contained within the collection whilst conserving the original materials, which may be subject to deterioration through loss and damage.
The National Archives and Records Administration Clifford K. Berryman: Political Cartoonist Extraordinaire In 1886 at the age of 17, Clifford K. Berryman moved from Kentucky to Washington, DC, to work at the U.S. Patent Office, where he used his self-taught talents to draw patent illustrations. He left the Patent Office in 1891 to become a cartoonist’s understudy for the Washington Post. Within five years, Berryman was chief cartoonist, a position he held until 1907 when he became the front-page cartoonist at the Washington Evening Star. Berryman drew political cartoons for the Star until his death in 1949 at the age of 80. Washington political circles embraced Berryman’s cartooning.
Guns, tanks, and bombs were the principal weapons of World War II, but there were other, more subtle forms of warfare as well. Words, posters, and films waged a constant battle for the hearts and minds of the American citizenry just as surely as military weapons engaged the enemy. Persuading the American public became a wartime industry, almost as important as the manufacturing of bullets and planes. The Government launched an aggressive propaganda campaign with clearly articulated goals and strategies to galvanize public support, and it recruited some of the nation's foremost intellectuals, artists, and filmmakers to wage the war on that front.
This exhibition examines Presidential elections, with a particular emphasis on elections in the last 80 years when radio and television brought these campaigns into the living rooms of homes across America. Text, photographs, graphic images, original artifacts and campaign memorabilia, as well as audio and video stations will be featured in the exhibition. In addition, a series of activity areas will invite visitors to participate in election activities such as mock voting and campaigning. The exhibition will be organized in a series of theme areas that survey aspects of Presidential campaigns and elections over the years.
About - Lesbian Intentional Communities: Ruth Mountaingrove Photographs The Ruth Mountaingrove Papers include textual and graphical materials. The collection is currently arranged into four series, beginning with correspondence, diaries, ephemera and finally, photographs. The photograph series (Series IV) is currently the only series within this collection that is processed and available for research use. Ruth's photographs depict her life on lesbian land, and as a member of the national feminist/lesbian network.
About - University of Oregon. Office of the Dean of Personnel Administration. National Japanese American Student Relocation Council Records 1942-1946 The National Japanese American Student Relocation Council was created by university administrators as a means of relocating Japanese American college students to other universities and colleges away from the West coast during World War II, and to prevent these students from being interned in government-run internment camps. At the University of Oregon, Karl Onthank, Dean of Personnel Administration, represented the University in relocating UO Japanese American students. The collection includes correspondence, newsletters, speeches, minutes of meetings, and ephemera.
African Political Ephemera and Realia Project Search Browse The African Political Ephemera and Realia Project is an online collection of ephemeral material - pamphlets, t-shirts, cloths, posters, to name just a few examples - that documents the material culture of politics in Sub-Saharan Africa. Ephemeral political material often does not find its way into institutional collections either because the material is discarded before it draws the attention of collectors, because it is too popular and mass-produced to merit consideration as art, or because it does not fit easily (either physically or intellectually) into the book- and manuscript-based realm of libraries.
This on-line version of Here Today, Here Tomorrow... presents a variety of printed medical ephemera from the collections of William H. Helfand and the National Library of Medicine. The exhibit was held at the National Library of Medicine, Bethesda, Maryland, May 22 through September 11, 1995.