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Professional performers of all kinds in England and Wales toured to provincial towns, monasteries and private residences before 1642. The Records of Early English Drama (REED) project is discovering fresh evidence about medieval and renaissance entertainment for publication in volumes for all English, Scottish and Welsh counties.
The REED Patrons and Performances Web Site is designed to include a wide range of data about professional performers on tour in the provinces – their patrons, the performance venues they used and the routes they took across the kingdom.
Most of the data relating to the published REED collections is now uploaded. Please see ‘Present Data Coverage’ for more details.

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Overture At many universities, athletics was said to unite the student body, but at Washington before the First World War, dramatics came closest to filling that role ... With no more than occasional help from faculty members, usually in the English Department, and a few theater buffs in the city, students made Washington University the busiest center of theatrical activity in St. Louis --Ralph Morrow, Washington University in St. Louis: A History , p.242. In Curtain Time , the story of student performing arts at the University is told through programs, music scores, photographs, sound recordings, video, and artifacts from the University's historical record.

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Introduction by Anne Posega With these words Hanmer voiced England's growing national pride in Shakespeare, a pride materially represented by the numerous editions which were produced in the 18th century. Different editors argued for their textual emendations in prefaces, footnotes, and advertisements, and the debate fueled layer after layer of criticism and responses. In a similar way, the illustrations in these editions were themselves transforming, starting with the first illustrated edition in 1709. Edited by Nicolas Rowe and printed for Jacob Tonson, The Works of Mr. William Shakespear, in Six Volumes was the first edition to be "Adorn'd with cuts". The illustrations in this edition were generally theatrical in nature, with many looking like illustrations of a production.

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About GloPAD GloPAD (Global Performing Arts Database) records include authoritative, detailed, multilingual descriptions of digital images, texts, video clips, sound recordings, and complex media objects related to the performing arts around the world, plus information about related pieces, productions, performers, and creators. GloPAD is in a continual process of development: we have recently merged two related databases, restructured GloPAD to support our newly developed metadata standards, and redesigned the user interface. Approximately 4,500 objects are currently available, with new records added and older records revised on a daily basis.

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12 key Scottish plays

Over the last 40 years we have seen many notable Scottish plays on stage.

Scottish theatre has reflected the times and the nation. Scottish playwrights have included activists, thinkers, show-offs, entertainers, and a genius or two.
Major plays and playwrights

This website introduces 12 of the major plays and major playwrights of Scotland – but there are many more worth exploring.

Here we take a tour through the political days of the 1970s and 1980s and the outward-looking years of the 1990s. We come up to date with the new millennium that has brought us – at last – a national company and a world hit.

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202 reads