Category: Arts & Humanities, Washington University
This website, dedicated to the work by women artists in the collections of Washington University, was developed in 2001-2002 with the support of a grant from the Sam Fox Arts Center at Washington University in Saint Louis. The project was developed in concert with a course, "L01-3631 Creative Women: Modern Artists and Writers," co-taught in the Spring of 2002 by Elizabeth C. Childs, Associate Professor of Art History and Archaeology, and Helen Power, Senior Lecturer in Women's Studies. Betha Whitlow, Curator of Visual Resources in the Department of Art History and Archaeology, supervised the design and implementation of the site in consultation with Professor Childs and Dr. Sabine Eckmann, Curator of the Mildred Lane Kemper Art Museum.
Site Search Hours | Site Index email chat phone text My Library Accounts | Interlibrary Loan | Reserves A Description of the Arnold Semeiology Collection Perhaps the most varied and individual collection in the Special Collections of the Washington University Libraries, the Philip Mills Arnold Semeiology Collection now numbers approximately 1600 volumes, extending in time from the Ars Oratoria of Jacopo Publicio (Augsburg, 1490) to Charles Kasiel Bliss's International Semantography (Sydney, 1948-49), and ranging in subject matter from cryptography to the sign language of the deaf.
Collection Description 35,000 Items (164.5 linear feet) Access: Some restrictions. Contact curator. James Ingram Merrill was born in New York City on March 3, 1926, and grew up in Manhattan and Southampton. He was the son of Charles Merrill, co-founder of the brokerage firm Merrill Lynch, and his second wife, Hellen Ingram. He began writing poems at as a child, and at age sixteen, while he was in prep school, his father had a book of them privately printed under the title Jim’s Book . Merrill’s studies at Amherst College were interrupted by service in the U.S. Army from 1944 to 1945. Another book, The Black Swan , was privately printed in 1946 while he was still in college. Following his graduation in 1947, he taught for a year at Bard College.
In keeping with its designer's intent, Washington University's Benjamin Brown Graham Memorial Chapel serves as a refuge to entertain both the intellectual and spiritual. The physical design of Graham is quite straightforward. The intellectual and spiritual impetus of the design of Graham is not. By sauntering through a forest of historical perspective, we will examine Graham's manner of conception by focusing on two elements: grotesques and glass.
Depicting Devotion: Illuminated Books of Hours from the Middle Ages December 5, 2001 - February 16, 2002 Curated by Kevin Kalish, Department of English and Christina Linsenmeyer van Schalkwyk, Department of Music Rarely does the opportunity come to peruse, page by page, through a medieval book or manuscript. This exhibit attempts just that. By following the arrangement of this exhibition, the viewer sees the structure and format of a Book of Hours writ large. Books of Hours, one specimen in the history of Illuminated Manuscripts, exhibit a vivid interplay between image and text.
Overture At many universities, athletics was said to unite the student body, but at Washington before the First World War, dramatics came closest to filling that role ... With no more than occasional help from faculty members, usually in the English Department, and a few theater buffs in the city, students made Washington University the busiest center of theatrical activity in St. Louis --Ralph Morrow, Washington University in St. Louis: A History , p.242. In Curtain Time , the story of student performing arts at the University is told through programs, music scores, photographs, sound recordings, video, and artifacts from the University's historical record.
Introduction by Anne Posega With these words Hanmer voiced England's growing national pride in Shakespeare, a pride materially represented by the numerous editions which were produced in the 18th century. Different editors argued for their textual emendations in prefaces, footnotes, and advertisements, and the debate fueled layer after layer of criticism and responses. In a similar way, the illustrations in these editions were themselves transforming, starting with the first illustrated edition in 1709. Edited by Nicolas Rowe and printed for Jacob Tonson, The Works of Mr. William Shakespear, in Six Volumes was the first edition to be "Adorn'd with cuts". The illustrations in this edition were generally theatrical in nature, with many looking like illustrations of a production.
This web site features approximately 320 digitally rendered images from a collection of over 15,000 photographic prints held by the University Archives of Washington University in St. Louis. This web site consists of five sections, namely: that will be on exhibit in the Department of Special Collections in Olin Library at Washington University in St. Louis from 25 May to 31 July 2001. Last modified: August 3, 2001