Category: Fine Arts
In 1916 Elizabeth Willis DeHuff’s husband, John David DeHuff, became superintendent of the Santa Fe Indian School in Santa Fe, New Mexico. Elizabeth, twenty-four years old and educated as a teacher at Barnard College in New York, quickly became interested in the art and culture of the couple’s new home, and in the students who attended the school. DeHuff began inviting boys from the school into her home for afternoon painting lessons. Students that received training included Fred Kabotie, Otis Polelonema (both Hopi) and Velino Shije Herrera (of Zia Pueblo).
New Haven resident William H. Townsend made pen-and-ink sketches of the Amistad captives while they were awaiting trial. Twenty-two of these drawings were given to Yale in 1934 by Asa G. Dickerman, whose grandmother was the artist's cousin. Townsend, who was about 18 years old when he made the drawings, is buried in the Grove Street Cemetery in New Haven, Connecticut, beside the Yale University campus. Call Number: GEN MSS 335
The Illustrated Voyage Artists aboard voyages of discovery and exploration were given the task of making an objective record of the landscapes, people, flora and fauna of the lands they visited. One would not expect, given the focus on creating an accurate visual record for these expeditions, that there would have been room for the expression of artistic vision.
Soon after their appearance in the 1840's, stamps became the focus of collectors. They developed a life of their own, apart from their official role on letters and parcels. Canada's first stamp, the Three penny Beaver, designed by Sandford Fleming, was printed in 1851. Thirteen years later, Canada's first philatelic pamphlet, The Stamp Collector's Record, was published in Montreal, only a year after a similar one in England. Stamp collecting's appeal is universal. With a vast array of stamps available, collectors tend to narrow their scope to specific categories-concentrating for example on stamps with certain themes, or from particular countries. Governments try to tempt collectors (and generate revenue) by issuing a host of stamps and stamps sets.
Kabuki is a performing art that combines music, dance, pantomime, song, drama and comedy. In the early 1600s kabuki emerged from traditional Japanese classical theatre and puppet show traditions, incorporating elements of both.
While classical plays are quiet, refined and slow-paced, kabuki is full of spirited action and outsized emotions. Kabuki plays portray characters from Japanese history, legend and folk tales. Great heroes, beautiful princesses, evil spirits, loyal retainers, vengeful warriers and benevolent lords populate the stage. These stories have continued to grip the Japanese imagination, embodying as they do the much-valued ideals of loyalty, courage and strength.
Foreword The Group of Seven style of painting captured the rhythm and mood of the nation???s landscape. From Algonquin to Algoma, Lake Superior to the Rocky Mountains, Quebec to Nova Scotia, the artists traveled in search of the quintessential Canadian landscape painting. Armed with canoes, boards and paints, they interpreted the chaotic mass of nature in a bold, modern approach that differed from the Academic convention. To finance their expeditions, many of the artists worked in commercial art firms, designing illustrations, advertisements and elegant illuminated texts.
Pictures came before books, printing or writing, and were our first expression of stories. The Canadian artist Marie Day celebrated the power of cave art in her picture book Quennu and the Cave Bear , an imaginative recreation of how a young girl of the Stone Age conquered her fear of a ferocious cave bear by drawing him. The Stone Age makes a fitting start to an exhibition celebrating Canadian picture books, within which there are no boundaries of place or time. In chronological terms, the earliest painting in this exhibit is 42, the latest, only three years old. The earliest artefact shown here is nearly 3,000 years old, and the story of Quennu depicts a period over 20,000 years ago.
Introduction The 19 th century was a period of expansion and development in Canadian history. The century brought unprecedented change, from the Union of Upper and Lower Canada and the Confederation of the Canadian colonies, to the establishment of the western provinces. Fortifications and other military structures were erected and roads and railway networks constructed, ushering in waves of immigration as colonization and settlement pushed westward. In its wake the face of the Canadian landscape was altered, and to some extent the vast wilderness was diminished. In the era before the camera, artists, surveyors and engineers preserved on paper and canvas a record of the landscape.
DIGITAL COLLECTIONS About the Collection The Leonard Brecher Tobacco and Chewing Gum Card Collection contains 154 digital images of baseball cards from the early 20th century. Tobacco, candy, and chewing gum companies printed trade cards or advertising cards to include with their products. Cards in this digital collection come from the American Tobacco Company, American Caramel Company, Colgan Gum Company (of Louisville, Kentucky), John H. Dockman & Sons, and the Standard Caramel Company, and primarily date between 1909 and 1911. Received by the University of Louisville Art Library in 1969 as a donation from Leonard Brecher, the collection contains 356 baseball cards and 86 cards with bird images. Of these, 154 of the baseball cards are included in the digital collection.
DIGITAL COLLECTIONS About the Collection John P. Morton and Company was a publishing firm based in Louisville, Kentucky for much of the 19th and the first half of the 20th centuries. John Price Morton (1807-1889) started out working as a clerk in a bookstore in Lexington, Kentucky. In 1825 William W. Worsley hired him to manage his Main Street shop, the Louisville Book Store. The company published a daily newspaper, The Focus , which merged with the Louisville Journal into the Journal and Focus , a precursor to the Courier-Journal ; the weekly Louisville Medical News ; and Home and School , a monthly journal of popular education. In 1838 Morton and Henry A.
A selection of 290 postcards from the Florida Postcard Collection covering Miami, Miami Beach, Coconut Grove, Coral Gables and other South Florida locations from the University of Miami Libraries Special Collections.
Theodore Bolton Collection Theodore Bolton was a librarian, art historian, and artist. Bolton received a diploma in the arts from that Pratt Institute in Brooklyn, New York, in 1915. He studied library science at the same institute, receiving a diploma in that subject in 1924. He pursued formal academic work later in his life as well, receiving in 1937 a B.S. in education, and a M.A. in education in 1940, both from New York University. Thereafter, he received an M.F.A. from Columbia in 1955. In addition, he studied at Harvard during the summers from 1937 to 1939. Upon his retirement, Bolton and his wife moved to Coconut Grove, Florida. Theodore Bolton died at his Coconut Grove home on Friday, December 7, 1973.
Hollar was born in 1607, the son of an upper middle-class civic official. Very little is known about his early life, but he evidently learned the rudiments of his craft by age eighteen, left his native Prague at age twenty, and likely studied in Frankfurt under Matthaus Merian. His first book of etchings was published in 1635 in Cologne when Hollar was twenty-eight. The following year he came to the attention of the renowned art collector the Earl of Arundel who was making an official visit to the continent, and Hollar subsequently became a part of his household, settling in England early in 1637. He remained in England during the beginning of the English Civil War period, but left London for Antwerp in 1642, where he continued to work on a variety of projects.
This collection features approximately 4500 full page plates and other significant illustrations of human anatomy selected from the Jason A. Hannah and Academy of Medicine collections in the history of medicine at the Thomas Fisher Rare Book Library, University of Toronto. Each illustration has been fully indexed using medical subject headings (MeSH), and techniques of illustration, artists, and engravers have been identified whenever possible. There are ninety-five individual titles represented, ranging in date from 1522 to 1867.
AGNES CHAMBERLIN In addition to the original paintings the Chamberlin digital collection also includes early editions of Canadian Wild Flowers and two editions of Studies of Plant Life. The story of how Canadian Wild Flowers came to be published is a fascinating one and throws considerable light on the state of publishing in Canada at the time, as well as on the determination and talent of Agnes herself. When her husband died in 1865 Agnes was left with very limited means, and set to work to supply illustrations for thirty of the flowers described in Mrs. Traill's manuscript, depicting them in ten groupings. Having secured five hundred subscribers for the work, she then found there was no lithographer in Toronto willing to undertake the printing.
About FADIS FADIS (Fine Art Digital Imaging System) is a content management system designed for the teaching, studying and researching of art, architecture and visual culture. FADIS combines the digital management of electronic resources with a courseware system and provides an intuitive interface that reflects higher educational teaching needs. The goal of FADIS is the creation of a shared common repository amongst participating institutions. FADIS is currently free to any participating institution contributing content to the collection.
Portraits in Oxford * An integrated digital catalogue of portraits in the University of Oxford and its constitutent colleges. Portrait collections include: The collections: Welcome to Portraits in Oxford The Portraits in Oxford project aims to publish an integrated digital catalogue of portraits in the University of Oxford and its constituent Colleges. The pilot study, (June 2005-May 2006), catalogued portraits in the Examination Schools of the University, and at Pembroke College. The catalogue of the University portrait collection is on Open Access and can be searched using the search facilities at the top of this page. The integrated catalogue of University and College portraits is available to registered users.
Digitised images from The Bodleian Libraries Special Collections Search: About Click on the stripes below to read more Prototypography (the use of both woodblock and movable type) The images of these items are presented in context, showing, for instance, a handwritten interleaved German translation of the Apocalypse (BB-2) and the incorporation of snippets of woodcut printing into the marginal decoration of a manuscript book (XYL-28). Evidence of paper watermarks gathered by scholars has been included in the form of images made by beta-radiography.
This website, dedicated to the work by women artists in the collections of Washington University, was developed in 2001-2002 with the support of a grant from the Sam Fox Arts Center at Washington University in Saint Louis. The project was developed in concert with a course, "L01-3631 Creative Women: Modern Artists and Writers," co-taught in the Spring of 2002 by Elizabeth C. Childs, Associate Professor of Art History and Archaeology, and Helen Power, Senior Lecturer in Women's Studies. Betha Whitlow, Curator of Visual Resources in the Department of Art History and Archaeology, supervised the design and implementation of the site in consultation with Professor Childs and Dr. Sabine Eckmann, Curator of the Mildred Lane Kemper Art Museum.
The Johnson Museum has one of the finest collections of art in New York State and is recognized as one of the most important university museums in the country. Spanning the history of art, the Museum's collections are especially strong in Asian art, nineteenth- and twentieth-century American art, and the graphic arts.