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The Michael L. Carlebach Photography Collection consists primarily of black and white photographic prints taken and personally hand developed by Professor Michael L. Carlebach. In general, the images are thematically grouped around journalistic pieces published in newspapers, or artistic topics such as portraits and landscapes. The collection also includes pieces shown in various exhibits as well as photographs made for special assignments like the George McGovern 1972 presidential campaign and the exclusive insider's look at the Krome Avenue Detention Center for refugees in South Florida. Another highlight of the collection includes photographs dealing with the medical profession, especially children in hospital settings.
Voyage of the Scotia 1902-04 The material for Voyage of the Scotia 1902-04 was supplied by the Royal Scottish Geographical Society unless stated otherwise, and was edited and converted to web format at the Centre for Digital Library Research . This resource was developed as part of the Resources for Learning project funded by the New Opportunities Fund digitisation programme. Further resources and 70,000 objects can be found on the RLS site .
This collection is part of the Glasgow Digital Library and is maintained by the Centre for Digital Library Research at the University of Strathclyde . The resource was developed as part of the Resources for Learning project funded by the New Opportunities Fund digitisation programme. Further resources and 70,000 objects can be found on the RLS site .
This web site features approximately 320 digitally rendered images from a collection of over 15,000 photographic prints held by the University Archives of Washington University in St. Louis. This web site consists of five sections, namely: that will be on exhibit in the Department of Special Collections in Olin Library at Washington University in St. Louis from 25 May to 31 July 2001. Last modified: August 3, 2001
National Archives and Records Administraton The Way We Worked Imagine working in a coal mine. Or in a steel mill. Or at a telephone switchboard. Work and workplaces have gone through enormous transformations between the mid 19th and late 20th centuries. You can view these changes through photographs held by the National Archives and Records Administration. These historical photographs document: The distinctiveness of America's workforce was shaped by many factors—immigration and ethnicity, slavery and racial segregation, wage labor and technology, gender roles, class, as well as ideals of freedom and equality. Most importantly, these images honor those who built this country—the working men and women of America.
A note on the photographs in this exhibition Because of the huge number of images held by the National Archives and Records Administration (NARA), selecting photographs for this exhibition involved difficult and subjective choices. For the most part, the exhibit concentrates on developments within American society and on activities abroad where Americans were significant participants. The photographs from the White House Photo Office were included because they will become part of the Clinton Presidential Library, and because they allowed the exhibit to round out its coverage of the late 20th century.
National Archives and Records Administraton Eyewitness American Originals from the National Archives Introduction Out of the stacks and vaults of the National Archives comes this selection of eyewitness accounts. They are vivid and intensely personal, transporting us to a deeper understanding of the events described.
During the depths of the Great Depression of the 1930s and into the early years of World War II, the Federal government supported the arts in unprecedented ways. For 11 years, between 1933 and 1943, federal tax dollars employed artists, musicians, actors, writers, photographers, and dancers. Never before or since has our government so extensively sponsored the arts. MORE... This link is not functional because your browser does not support JavaScript or Javascript has been disabled. Please use this link to MORE...
From June through October 1973 and briefly during the spring of 1974, John H. White, a 28-year-old photographer with the Chicago Daily News , worked for the federal government photographing Chicago, especially the city`s African American community. White took his photographs for the Environmental Protection Agency`s (EPA) DOCUMERICA project.
Note that Albert Einstein is standing to the left of the President. This group shot was taken by Fred Scut of Washington, DC, one of the most prolific of panoramic photographers. The print size is 38" x 10". Records of the Office of the Secretary of Agriculture (16-ES-485) The description was handwritten on the photograph by Mr. Brooks. It was taken by Thompson Photo of Venice, CA, and measures 46" x 10". Records of the Bureau of Indian Affairs (75-PA-3-7) The photographer and date are unknown. The dimensions of the print are 54" x 10".
As an avid, well-trained photographer, sketcher and recorder, Straight took about 380 photographs and painted a very small number of sketches during his two spells in Korea in 1904 and 1905. Our aim has been to identify and select about two hundred of these and incorporate these materials into a project which amounts to a visual and contextual narrative of Korea at a most critical juncture in its more recent, modern history. The photographs document landscapes, urban scenes, people (both common, notable or noble ones), and, most interestingly, record numerous important events.
Historical Context The Visions collection includes the written and photographed experiences of Europeans and Americans who traveled to Southeast Asia during the period of imperialism. The peoples of Southeast Asia experienced waves of colonization beginning in 1511 when the Portuguese took Melaka, a strategic and thriving port city on the Malay Peninsula. The Spanish established a colony in the Philippines which they ruled from the 1560s until 1899 when the United States ousted the Spanish and governed the colony until Philippine independence in 1946. The Dutch gradually conquered the areas known today as Indonesia beginning in 1596 and ending after WWII.
About the Project Named after the pioneering critic of the commercialization of mass media, the late Professor Rose Goldsen of Cornell University, the Archive was founded in 2002 by Timothy Murray to house international art work produced on CD-Rom, DVD-Rom, video, digital interfaces, and the internet. Its collection of supporting materials includes unpublished manuscripts and designs, catalogues, monographs, and resource guides to new media art.
Kheel Center Labor Photos We do our best to verify database contents, but sometimes conflicting information is available. If you would like to suggest a correction or add new information about images in our database please contact Barb Morley at kheel_center@cornell.edu and include the photo identification number (e.g. 5780pb32f14a) along with your recommendations. If you would like to donate images or other material documenting organized labor or employment relations, please contact us at 607-255-3183 or kheel_center@cornell.edu 10 November, 2011
About the Project The Cornell Institute for Resource Information Sciences (IRIS) maintains a large and comprehensive collection of aerial photographs for New York State dating from 1936 through 1995. The archive numbers some 50,000 images that cover 48 counties, many counties of which have at least three years of historic sequence. The photographs are primarily black and white direct contact prints, and in hard copy form they measure from 7” x 9” to 9” x 9” in size; scales vary. Historic aerial photographs are valuable resources for landscape and land use analysis, assessment of environmental impacts, development projects and education.
This site presents digital reproductions of images from the University Archives and from rare books and manuscripts held by the Cornell University Library. The images are delivered via Luna Insight® image browser . Please adjust your browser to allow pop-up windows before attempting to launch the collection. If you continue to experience technical difficulties, please report your problem to vrhelp-l@cornell.edu . For reference questions, please complete our reference form . For questions or comments about this website, send E-mail to rmcweb@cornell.edu .
Introduction At the end of the nineteenth century, the British artist, photographer and traveler Frederick W.W. Howell, F.R.G.S., recorded Icelandic and Faroese landscapes, farmsteads, towns and people in a remarkable series of photographs that depicted Iceland and the Faeroe Islands on the edge of modernity. Daniel Willard Fiske, who bequeathed the Fiske Icelandic Collection to Cornell University, purchased over 400 prints from Howell around the turn of the century. Halldór Hermannsson, the collection’s first curator, mounted the prints around 1923 in six albums and supplied the prints with captions. (A small group of photographs includes the work of Henry A.
Home economics at Cornell began as part of the Extension Service in 1900, with the Farmers’ Wives Reading Course, supported by Liberty Hyde Bailey (Dean of the College of Agriculture) and implemented by Martha Van Rensselaer. In 1903-1904, Van Rensselaer, Bailey, and Anna Botsford Comstock gave three courses within the College of Agriculture relating to home and family life. In 1907, Bailey decided to create a Department of Home Economics, headed by Martha Van Rensselaer and Flora Rose, who were appointed to professorships (the first for women at Cornell) in 1911. The department became a school in 1919, and, in 1925, the first state-chartered College of Home Economics in the country. Martha Van Rensselaer and Flora Rose were named co-directors.
The Division of Rare and Manuscript Collections , Cornell University Library , is home to the Andrew Dickson White Architectural Photographs Collection of approximately 13,000 nineteenth- and early twentieth-century photographs of architecture, decorative arts and sculpture. White (1832-1918), the first president of Cornell University, established the collection by donating several thousand images from his personal architectural library.
The University Archives Photograph Collection contains modern and vintage photographic prints related to the University of Oregon. The photographs depict a variety of buildings, historic scenes, events, students, faculty and staff, and scenes of campus life.
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