Category: Fine Arts, Minneapolis Institute of Arts
Throughout the fall of 2004, paintings conservators Joan Gorman and David Marquis of the Midwest Art Conservation Center conducted a major conservation treatment of Guercino's Erminia and the Shepherds during public viewing hours. In 1999, the exhibition "Restoring a Masterwork" followed the process of conserving Giovanni Benedetto Castiglione's The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua .
Established in 1916, the Department of Prints and Drawings at The Minneapolis Institute of Arts is responsible for the care, exhibition, and acquisition of works of art on paper. These include woodcuts, engravings, etchings, lithographs, screenprints, drawings, watercolors, pastels, monotypes, multiples, artists' books, and rare books. Ranging from early 14th-century illuminated manuscripts to contemporary works on paper, the Institute's permanent collection of prints and drawings is encyclopedic in scope and comprehensive in graphic media. Featured here is a selection of more than 3800 works from the Museum's permanent collection. Try searching for an artist, title, keyword or country.
The term Modernism commonly applies to those forward-looking architects, designers and artisans who, from the 1880's on, forged a new and diverse vocabulary principally to escape the Historicism, the tyranny of previous historical styles. The foundation of this online project is a group of over 250 objects representing nine Modernist movements.
the archive The archive of the Jack Lenor Larsen textile company reveals time and again that the driving force behind this influential company has always been the principal that art need not be separated into high (or fine) art and low art (or craft). The Larsen Design Studio created modern, artistic fabrics for interior use, yet their innovations with handwovens, batiks and fabrics in scale with modern architecture have changed the industry. Artistic and technical explorations are the cornerstones that have kept the company on the front edge of the market for half a century. the web site Larsen: A Living Archive was created in conjunction with the exhibition Jack Lenor Larsen: The Company and The Cloth at The Minneapolis Institute of Arts.
The Art of Daily Life There is no equivalent in the many Native American languages for the word art . Yet the objects here suggest that Native Americans are a highly spiritual people who create objects of extraordinary beauty. In Native American thought there is also no distinction between what is beautiful or functional, and what is sacred or secular. Design goes far beyond concerns of function, and beauty is much more than simple appearances. For many native peoples, beauty arises from living in harmony with the order of the universe.The concerns and aspirations of a vital contemporary American Indian population changes as the world changes.
Myths are stories that explain why the world is the way it is. All cultures have them. Throughout history, artists have been inspired by myths and legends and have given them visual form. Sometimes these works of art are the only surviving record of what particular cultures believed and valued. But even where written records or oral traditions exist, art adds to our understanding of myths and legends.
The diverse collections of The Minneapolis Institute of Arts include thousands of works of art that were made for worship or religious ritual. Historically, people have lavished the finest materials and workmanship on those things that represented their most deeply held beliefs. The works of art included here were selected because they illustrate the main theological concepts of the world's major religions. The texts attempt to provide concise overviews and are intended to serve as comparative teaching resources. Each entry was reviewed by a knowledgeable practitioner and/or ordained clergy of that faith.
The Institute's collection of Asian art represents seventeen Asian cultures spanning over 5,000 years. The Department of Asian Arts has benefited greatly from generous gifts from knowledgeable collectors. Augustus L. Searle, Alfred F. Pillsbury, Richard P. Gale, Louis W. Hill, Jr., and Ruth and Bruce Dayton have donated specialized collections of international reputation, including ancient Chinese bronzes, ancient and post-Sung jade, Chinese monochrome ceramics, Ukiyo-e paintings, Japanese prints, and classical Chinese furniture. In addition, highly regarded specialized collections of Ch'ing dynasty silk textiles, Miao textiles, and surimono prints have been built over the years. The curatorial department's goal is to provide the public with a broad overview of Asian art.