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: Medieval Literature

Category: Medieval Literature

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This collection draws together images from The Medieval Book, the catalogue of an exhibition held at the Beinecke Library in 1988 and curated by Vice-Provost Barbara Shailor. A celebration of the Beinecke Library?s extraordinary collection of medieval and Renaissance manuscripts, the exhibition examined the development, construction, and function of the book in the Middle Ages and Renaissance. The manuscript collections have been described extensively in the Catalogue of Medieval and Renaissance Manuscripts in the Beinecke Rare Book and Manuscript Library, Yale University , volumes 1-3 of which were edited by Barbara Shailor, and volume 4 of which was edited by Robert Babcock, Lisa Davis, and Philip Rusche.

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Toronto Public Library’s Osborne Collection of Early Children’s Books is one of the world’s foremost historical collections of English-language children’s literature. Located in the Lillian H. Smith branch, the Osborne Collection holds over 80,000 items, including manuscripts, books, book-related art, archives, ephemera and book-related games.
Our holdings

Our collection ranges from a 14th-century manuscript of Aesop’s Fables through medieval books of manners, moral tales of the Puritan era, 18th-century chapbooks and hornbooks to Victorian classics of fantasy, adventure, and school stories up to 1910. We also collect modern notable books published after 1910.

Osborne includes:

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Home Medieval and Renaissance Manuscripts Digitised images from The Bodleian Libraries Special Collections Bodleian Library Search: Medieval and Renaissance Manuscripts (from 35mm) Browse the collection Around 25,000 images selected mostly from Western illuminated manuscripts (with a few from early printed books) and scanned from the Bodleian's older image library of 35mm slides and

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Depicting Devotion: Illuminated Books of Hours from the Middle Ages December 5, 2001 - February 16, 2002 Curated by Kevin Kalish, Department of English and Christina Linsenmeyer van Schalkwyk, Department of Music Rarely does the opportunity come to peruse, page by page, through a medieval book or manuscript. This exhibit attempts just that. By following the arrangement of this exhibition, the viewer sees the structure and format of a Book of Hours writ large. Books of Hours, one specimen in the history of Illuminated Manuscripts, exhibit a vivid interplay between image and text.

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About the Journal Medieval Philosophy and Theology is a semi-annual, peer-reviewed, online journal devoted to the publication of original articles in all areas of medieval philosophy, including logic and natural science, and in medieval theology, including Christian, Jewish, and Islamic. Coverage extends from the Patristic period through the neoscholasticism of the seventeenth century. Members of the Editorial Board and the panel of Editorial Advisors represent eleven different countries in Europe and North America, as well as a wide range of academic, disciplinary, and scholarly traditions and approaches. Medieval Philosophy and Theology occasionally publishes review articles and article-length critical discussions of important books in the field.

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The Murthly Hours is one of Scotland's great medieval treasures. Written and illuminated in Paris in the 1280s, it also contains full-page miniatures by English artists of the same period, and was one of the most richly decorated manuscripts in medieval Scotland. Medieval additions include probably the second oldest example of Gaelic written in Scotland.

The entire manuscript has been reproduced here. In the Folios section, you can browse page by page or select a folio from the complete list of titles.

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A Tale of Two Manuscripts Reunited The Making of the Manuscripts The University of Chicago’s manuscripts of Le Roman de la Rose and Le Jeu des échecs moralisé were produced ca. 1365, about 100 years before the invention of printing. By the 14th century, there was a well-developed book trade outside of monastic scriptoria, supplying Bibles, Books of Hours, or prayer books for private devotion, and other liturgical books; legal, medical, philosophical, and other texts for students; and manuscripts of secular works. Professional trades had developed for each specialized component of manuscript production, including making ink and pigments; preparing parchment from animal skin; and writing and decorating the text by scribes, illuminators, rubricators, gilders; and binders.

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The Digital Scriptorium is a growing image database of medieval and renaissance manuscripts that unites scattered resources from many institutions into an international tool for teaching and scholarly research. It bridges the gap between a diverse user community and the limited resources of libraries by means of sample imaging and extensive rather than intensive cataloguing.  

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182 reads