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Ghana

A project of the Graduate Program in Ethnomusicology Department of Music Brown University Box 1924 Providence, RI 02912 Edwin_Quist@brown.edu   Site developed and hosted by Center for Digital Initiatives Box A, Brown University Library Providence, RI 02912 cdi@brown.edu The James Koetting Ghana Field Recordings collection presents a vibrant mix of traditional and popular music recorded at a broad range of locations and events in Ghana during the 1970s by ethnomusicologist James Koetting.

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by Gracia Clark The Muslim men and women in this gallery live and work in Kumasi, Ghana. They are not professional scholars or teachers, but they are deeply interested in following the principles of Islam. Their interpretations of the requirements and values of their faith influence their behavior at home, with their neighbors and at work as traders and tailors. Muslims are a minority in their city and country, where Christianity is the dominant religious affiliation and indigenous spiritual practices remain popular. The broader community sometimes neglects their interests or discriminates against them, but they continue trying to live a virtuous life and to expand their understanding of the Koran through study groups and discussions.

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Pluralism and Adaptation in the Islamic Practice of Senegal and Ghana is a digital library of multi-media resources that demonstrate how innovative Africans have been in the history of Islam and Islamic practice and how they continue to live and experience Islam.

Four digital galleries – two from Senegal and two from Ghana – emphasize pluralism - the coexistence and indeed the mutual respect among people of different religious persuasions - and adaptation – situations where Islam takes root in a particular society and culture that changes over time.

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