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Category: Arts & Humanities, Native americans

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Portraits represent various tribal groups, including, among many others, the Apache Indians, Arapaho Indians, Arikara Indians, Bannock Indians, Cherokee Indians, Cheyenne Indians, , Oglala Indians, Ojibwa Indians, Omaha Indians, Oohenonpa Indians, Santee Indians, Seminole Indians, Tohono O’odham Indians, Ute Indians, Wichita Indians, and Yuma Indians. Exterior images consist primarily of informal portraiture, as well as depicting residences and settlements, including the Crow Indian Agency in Montana, 1871; the Pawnee Indian School and buildings at the Pawnee Reserve, Loup Fork, Nebraska, 1871; and a Bannock Indian camp near Fort Hall, Idaho, 1872.

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In 1916 Elizabeth Willis DeHuff’s husband, John David DeHuff, became superintendent of the Santa Fe Indian School in Santa Fe, New Mexico. Elizabeth, twenty-four years old and educated as a teacher at Barnard College in New York, quickly became interested in the art and culture of the couple’s new home, and in the students who attended the school. DeHuff began inviting boys from the school into her home for afternoon painting lessons. Students that received training included Fred Kabotie, Otis Polelonema (both Hopi) and Velino Shije Herrera (of Zia Pueblo).

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About - Picturing the Cayuse, Walla Walla, and Umatilla Tribes Major Lee Moorhouse of Pendleton, Oregon was an Indian Agent for the Umatilla Indian Reservation and a photographer. From 1888 to 1916 he produced over 9,000 images which document urban, rural, and Native American life in the Columbia Basin, and particularly Umatilla County, Oregon. So extensive and revealing are Moorhouse's images that his collection is one of the preeminent social history collections for Oregon. Special Collections & University Archives of the University of Oregon Libraries has a collection of 7000 images by Major Moorhouse.

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